Tuesday, January 13, 2026

Barbarian | Reek Of God |Dying Victims Productions


Release Date: January 23rd, 2026
Format: CD/Vinyl/Digital
Genre: Speed/Thrash/Black Metal
Country: Italy

Barbarian hails from Firenze, Italy, active for over a decade and a half, locked into the underground with a reputation built on sweat, riffs, and stubbornness. A power trio with zero interest in trends, they have carved their own lane through sheer volume of ideas and a deep obsession with metal history, punk abrasion, and early extreme sounds. Six albums in, they stand as lifers, not tourists.

Barbarian return with “Reek Of God”, their sixth full length and their first strike for Dying Victims Productions. This album sticks to their core habits, fast riffs, ugly hooks, and a constant sense of pressure. The songs are shorter; more packed, and rarely settle into familiar verse patterns. It comes off restless and overloaded on purpose, like someone dumping a crate of records on the floor and playing them all at once. The attitude is confrontational, anti religious, anti comfort, and very much rooted in street level metal thinking.


Musically, “Reek Of God” pulls from raw heavy metal, early death metal grime, and punk spite, all mashed together with frequent tempo shifts. Riffs pile up fast, sometimes almost tripping over each other, which adds to the chaos and occasionally works against the songs sticking long term. Tracks like “Maxima Culpa” and “Cardinal Sinner” hit hard with blunt force, while others feel more like violent sketches than fully locked ideas. The L7 cover “Freak Magnet” fits better than expected, twisted into Barbarian’s own language without sounding like a novelty pick.

Lyrically, the album keeps swinging at religion and authority, with some sharper moments standing out. “Shit He Forgives” pulls lines from Crass and keeps the venom intact, while “Crossburn” flips expectations and makes its stance clear without clever disguises. References like Ice-T and punk politics show up as part of the band’s DNA, not as winks for approval. Barbarian sounds informed, obsessed, and unfiltered, sometimes to a fault.

“Reek Of God” hits harder on energy; the flood of riffs and ideas keeps things intense, though not every track sticks in the memory once the noise clears. This is an album for listeners who prefer friction over polish and attitude over comfort. Barbarian remains stubborn, loud, and allergic to compromise, which keeps them interesting even when the execution stumbles.

Score: 7.5

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