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Showing posts with label pagan metal. Show all posts
Showing posts with label pagan metal. Show all posts

Sunday, November 2, 2025

Bretwaldas Of Heathen Doom | Seven Bloodied Ramparts | Caligari Records (Reissue)

 

Release Date: 14 November 2025
Format: Vinyl LP
Genre: Pagan/Doom/Heavy Metal
Country: United Kingdom

Formed back in 2001 by the duo Dagfari Wartooth and Sceot Acwealde, Bretwaldas Of Heathen Doom is one of those British underground curiosities that refuse to fade into obscurity. They emerged from the shadows of the West Midlands with a sound drenched in ancient folklore, battle smoke, and ale-soaked pagan spirit. Their music stands somewhere between the primal heaviness of Amebix and the cosmic grit of Hawkwind, merging raw doom metal with rough-edged storytelling. “Seven Bloodied Ramparts,” first released in 2010 and now finally pressed on vinyl by Caligari Records, remains their most defining work, a strange and stubborn monument to rustic heaviness and weird English heritage.

This album doesn’t rush to impress. It trudges, stumbles, and sways like an armored drunk at dawn, its riffs thick with earth and age. The production is dry and honest, no gloss, no trickery, just guitars that rumble like stone wheels and drums that sound as if recorded in a damp barn. Vocals come in rough chants and half-growled verses, and that’s where the charm lies. There’s a sense of old soil under the fingernails, a spirit of forgotten fields and rain-worn ruins.


“Seven Bloodied Ramparts” walks the line between heavy metal’s heroic roots and a kind of eccentric English doom. The songs move with a stubborn rhythm, sometimes with slow, stomping menace, other times in a rough gallop that nods toward the old days of Bathory and Pentagram. The lyrics speak of war, death, and defiance, but always from the perspective of survivors who drink and laugh in the aftermath, not conquerors basking in glory.

It’s easy to see why this release gained cult status. It’s simple and strange in equal measure, too stubborn to die and too personal to imitate. The new mastering brings a bit more depth without taming the rough spirit that defines it. Listening to it today, it still sounds out of step with everything else, a dusty, unshaven artifact from a corner of British metal that refuses to clean itself up. Not for everyone but for those drawn to the ancient, muddy, and oddly poetic corners of heavy metal, “Seven Bloodied Ramparts” is a curious and stubbornly alive piece of history.

Score: 6.0

www.facebook.com/bretwaldasofheathendoom

www.caligarirecords.com

caligarirecords.bandcamp.com

www.facebook.com/caligarirecords

Sunday, September 21, 2025

Colosalist | Two Suns | Hoggorm Music

 

Release Date: September 9, 2025
Format: Digital, CD
Genre: Doom Metal, Pagan Metal
Country: Czech Republic/Norway

Colosalist is a relatively new name, though their members bring together experience from the Czech and Norwegian underground. Formed as a cross-border project, the group brings together voices, strings, and heavy riffs under one roof. Their debut album "Two Suns" arrives through Hoggorm Music and captures a distinctive blend of pagan imagery and doom heaviness.


The album was recorded in Finland with producer Aksu Hanttu, whose résumé stretches across both metal and rock, and mastered by Svante Forsbäck, known for his modern and powerful mastering approach. This combination ensures the sound is full and well-balanced, without losing the organic edge that doom fans expect.

Across its nine tracks, "Two Suns" builds a world rooted in tradition and opened wide to sonic landscapes. The viola parts from Zuzana Klementová Zamazalová give the album a folkish and melancholic layer, while the guitar work of Petter Stanek and Tomáš Paulus brings forth heaviness and atmosphere. Vocals range from growled passages to solemn, melodic lines, adding contrast and drama. The rhythm section of Filip Chudý and Jan Jaglarz keeps everything grounded, giving the music depth and flow.


Lyrically and atmospherically, the album revolves around images of nature, myth, and duality. Titles like "Visdomer," "Soul Of Birds," and "Witnesses From Shadows" suggest a journey through mystical landscapes, while "Die Inside Me," offers a more direct and emotionally charged entry point. The balance of darker, crushing passages with melodic and contemplative sections keeps the album dynamic.

Listeners into My Dying Bride, Swallow The Sun, Primordial or Saturnus will find a lot to connect with here. "Two Suns" takes cues from the classic European doom tradition, while weaving in Nordic folk atmospheres and a strong sense of narrative. The debut plants firm roots, giving the impression of a band ready to grow further from here.

Score: 7.0

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