Frostmorner |Orbital Kaos |Wormholedeath Records

Release Date February 6^th, 2026
Format Digital/CD
Genre Blackened Atmospheric Death Metal
Country Italy

Mario operates under the name Frostmorner. With Sicilian roots, the musical and compositional journey began in 2019. Initially supported by other musicians, the project eventually transitioned into a solo endeavor. The music reflects the blackened atmospheric death metal genre.

Frostmorner unleashes "Orbital Kaos" through Wormholedeath Records, throwing down a massive collision of old school death metal and extreme modern noise. Mario handles every single instrument and delivers a completely vicious audio assault. You hear the rotting influence of legendary acts like Nile, Hypocrisy, Belphegor, and Death smashing into the chaotic modern insanity of Lorna Shore and Rings Of Saturn. The mixture creates a totally brutal environment full of blast beats and savage riffing.

The album explores dark lyrical concepts focusing on ancient gods, mythology, and the freezing void of space. Songs like "Pillars Of Creation" and "Necromorph" project extreme alien terror straight into your skull. Frostmorner uses sinister synths to build atmospheric layers over the relentless death metal framework. Every element serves the central theme of total universal destruction. The music remains ridiculously aggressive, delivering rapid-fire tremolo picking and guttural vocal attacks that align perfectly with the science fiction topics.

Writing and recording entirely as a solo unit requires serious musical insanity. Mario executes the guitars, bass, drums, and synths with absolute precision. The blackened death metal elements fuse with hyper-fast modern deathcore technicality. "Kronvs" and "Demiurge" display furious fretboard action alongside punishing drum programming. Sometimes combining so many diverse extreme metal influences leads to complete sensory overload. The absolute maximum speed and constant audio violence run the risk of blurring together into one massive wall of noise, requiring repeated listens to untangle the madness.

"Orbital Kaos" stands as a highly destructive debut. Frostmorner paints a terrifying vision of the cosmos through pure musical aggression. The extreme metal fusion works heavily in favor of the release, generating intense pit-worthy moments. Headbangers craving black, death, and extreme modern metal should definitely expose themselves to this galactic devastation.

Score: 7.3

Links:

https://linktr.ee/FrostMorneR

https://www.instagram.com/frostmorner

https://www.facebook.com/FrostmornerMusicOfficial

https://www.tiktok.com/@frostmorner

https://x.com/FrostMorneR_

https://www.youtube.com/@frostmorner

https://frostmorner.bandcamp.com

Temple Of Void |The Crawl |Relapse Records

Release Date March 6^th, 2026
Format CD/LP/Digital
Genre Death/Doom Metal
Country United States

Temple Of Void hails from Michigan and consistently brings serious caveman brawn to the table. Originally known for their monolithic approach on previous releases like "Summoning The Slayer", the group is currently operating as a devastating quartet. The lineup features Alex Awn on guitar, Jason Pearce behind the kit, Mike Erdody handling vocals and guitar, and Justin Malek on bass. This four-piece unit returns to spread sonic destruction with their fifth full-length offering, "The Crawl", unleashed via Relapse Records.

"The Crawl" unleashes an absolute barrage of intense hostility. The musicians incorporate unexpected non-metal influences, violently crashing threads of grunge and post-punk into their brutal signature sound. Tracks such as "The Crawl" and "Soulburn" deliver a savage, spearheading assault on the eardrums. A massive wall of sound crashes through the speakers and pummels the listener without mercy. From the intense initial strike of "Poison Icon" to the crushing finality of "The Twin Stranger", the guitars roar with immense, dissonant distortion.

The lyrics on "The Crawl" dig straight into extreme psychology and deep-seated terror. Mike Erdody targets the horrors of human existence, screaming about the monstrous things people do to one another. The concepts operate as a dark allegory regarding choices and severe consequences. "The Twin Stranger" tells a terrifying story about a person stalked by a doppelganger. "Godless Cynic" pulls inspiration from sci-fi literature. "Poison Icon" exposes the inescapable human drive to deceive and control others. The gut-wrenching vocal delivery matches this agonizing subject matter perfectly.

Kurt Ballou tracked "The Crawl" during a freezing week in Massachusetts at GodCity Studio. Engineer Zach Weeks assisted the tracking process, ensuring a completely raw, human audio assault. The guitar and bass tones are extremely abrasive and punishing. Jason Pearce gets a totally authentic, in-the-room drum sound that just batters the skull. Brad Boatright handled the mastering duties, cementing the absolute audio destruction. The visual side kills too, featuring fantastic, haunting cover art by Travis Smith. Temple Of Void provides immense devastation, dropping an album that demands maximum volume.

Score: 8.0

https://www.facebook.com/TempleOfVoid/

https://templeofvoid.bandcamp.com/album/the-crawl

https://www.instagram.com/templeofvoid/

https://www.youtube.com/user/TempleOfVoid

Total Maniac |Love Overdrive |Self-Release

Release Date 27.03.2026
Format 12" Vinyl LP/Digital
Genre Street Metal, Thrash/Speed Metal
Country USA

Total Maniac sprouted from the gutters of Baltimore back in 2018. The lineup pulled guys from Nux Vomica, Deathammer, and Raw Filth, mashing up 80s metal elements with raw punk aggression and a heavy dose of rock and roll swagger. After dropping a demo in 2019, they started gigging relentlessly. They eventually dropped their self-titled debut in 2022, securing slots at Maryland Deathfest and tearing up stages alongside bands like Bat, Poison Ruin, Midnight, and Sodom. The quintet bounces between massive festival stages and packed dive bars, bringing pure musical violence wherever they go.

On their sophomore album, "Love Overdrive", Total Maniac delivers pure street metal aggression. The riffs cut straight to the bone, driving a lethal mix of speed metal velocity and d-beat chaos. Tracks like "Love Overdrive" and "Devil In Plain Sight" throw fists right in your face. The guitars from Mike Brown and Nick Etson shred through the mix with savage distortion, churning out infectious hooks. Vaughn Volkman smashes the drum kit into splinters, propelling the fast sections into maximum overdrive. It is a massive assault on the eardrums.

The vocal delivery from Diamond Dustin sneers and spits absolute hostility across the entire runtime. He howls over the distortion, giving songs like "Drinkin Our Way To Hell" and "Early Grave" an obnoxious, riotous edge. Ben Martin handles the low end, keeping the rhythm section thick and punishing. The production, handled by Kevin Bernsten, captures the feral energy of their live performances. Brad Boatright locked down the mastering, ensuring the final product will totally wreck your speakers. You can practically smell the sweat and spilled alcohol blasting out of the grooves.

Total Maniac just wants to play fast, loud, and dangerous. "Love Overdrive" rules the stereo with aggressive riffs and rebellious punk energy. They bridge the gap between thrash metal speed and dirty hard rock hooks. This is a violently fun album for anyone who wants to bash their head against the wall and thrash around the living room. It packs a serious punch and guarantees a riotous time whenever you press play.

Score: 7.5

https://www.facebook.com/Totalmaniac/

https://www.instagram.com/totalmaniacband/

https://totalmaniac.bandcamp.com/album/love-overdrive

Aggressive Perfector |Come Creeping Fiends |Dying Victims Productions

Release Date March 27^th, 2026
Format CD/LP
Genre Heavy Metal
Country United Kingdom

Aggressive Perfector operates as a heavy metal power-trio born in Manchester, UK. Having a musical background rooted in black metal, the members deliver classic extreme sounds. The roster consists of Mr. 666 on bass, Intimidator destroying the drums, and Dan Chainshaw ripping guitars and vocals. They initially unleashed their brand of satanic heavy metal back in 2019 with "Havoc At The Midnight Hour". Now, the maniacs drop their second full-length album, "Come Creeping Fiends", through Dying Victims Productions.

"Come Creeping Fiends" contains nine tracks forged straight out of a morgue. The music sounds totally evil, raging like a wild beast out for blood. Guitars shred through fast sections while doom segments summon pure agonizing darkness. The drums relentlessly punish the eardrums, driving the infernal assault forward at maximum intensity. The vocals bring a completely deranged, vicious attack from the depths of hell. The whole thing holds together as a massive metallic assault.

The execution across this album goes far beyond their previous work. The trio plays with insane speed, making the new songs deadlier and far dirtier. Tracks such as "Dead Undead" and "Strange Companion" deliver total destruction for the headbangers. The riffs rip through the speakers, tearing everything to shreds. "Fiend In You" unleashes supreme madness, demanding full-volume worship. The production captures all the raw, unholy energy a metalhead could ever want.

Aggressive Perfector delivers a totally killer dose of satanic madness. The insane speed and morbid doom sections combine into a highly lethal concoction. Some transitions drag a tiny bit, preventing a flawless ten, nonetheless the overall destruction remains undeniably awesome. Maniacs craving extreme evil heavy metal will absolutely bang their heads to "Come Creeping Fiends".

Score: 8.0

https://www.facebook.com/AggressivePerfectorBand

https://www.instagram.com/aggressiveperfector_/

https://aggressiveperfector.bandcamp.com/album/come-creeping-fiends

https://www.facebook.com/dyingvictimsproductions/#

https://www.instagram.com/dyingvictimsproductions/

https://dying-victims.de/

https://www.youtube.com/c/DyingVictimsProductions

Paul Di’anno’s Warhorse |Paul Di’anno’s Warhorse |BraveWords Records

Release Date 2024 (Vinyl Edition 2026)
Format Vinyl
Genre Heavy Metal
Country United Kingdom, Croatia

Paul Andrews, known to the world as Paul Di'anno, sparked a heavy metal revolution when his vocals defined the early days of Iron Maiden. Through decades of relentless touring and numerous projects like Battlezone and Killers, the man gave every drop of his blood to the underground. In December 2021, he joined forces with guitarists Hrvoje Madiraca and Ante Pupačić Pupi in Zagreb, Croatia, forming Paul Di'anno's Warhorse. This final chapter delivered one last offering of original heavy metal before his tragic passing.

Listening to "Paul Di'anno's Warhorse" is a pure dive into the trenches of heavy metal. The guitars on "Get Get Ready" and "Stop The War" tear through the speakers with rough, untamed distortion. Di'anno delivers his vocals with a vicious, scraping rasp. He spits out the lyrics on "Go" and "The Doubt Within" with a street-level sneer. The production keeps things dirty and loud. There is a wild, rough edge to the entire mix. The drums smash through the cymbals and kick pedals with serious aggression.

You get wild lead guitars ripping over galloping rhythms. "Here Comes The Night" and "Going Home" bring the heavy artillery, crashing down with fast riffs and loud basslines. Di'anno sounds furious and unchained. The music matches his legendary punk rock attitude perfectly. "Tequila" and "Precious" throw in a massive sonic punch. The musicians lock in and hammer away at their instruments, creating a loud, aggressive noise. The guys just plug in, turn the amps all the way up, and attack the songs.

This album is a furious, noisy goodbye from a metal icon. The riffs bite brutally, the solos scream, and Di'anno roars over the chaos. Every riff and drum crash on "Paul Di'anno's Warhorse" screams pure heavy metal supremacy. The entire band plays like they want to destroy the studio. It is heavy, loud, and completely hostile.

Score: ∞

http://bravewordsrecords.com

https://www.thestoreformusic.com/shop.php#!/Bravewords-Records/c/170260296

http://www.facebook.com/BravewordsRecords

http://www.instagram.com/BravewordsRecords

http://www.twitter.com/BravewordsRec

https://youtube.com/@BravewordsRecords

https://www.tiktok.com/@bravewordsrecs

https://www.threads.net/@bravewordsrecords

http://bravewords.com

Blackwater Drowning |Obscure Sorrows |Bleeding Art Collective/Blood Blast Distribution

Release Date February 27^th, 2026
Format CD/Digital
Genre Melodic Death Metal, Metalcore
Country United States

Blackwater Drowning comes out of North Carolina tearing up the pit as a five-piece melodic death metal and metalcore squad. Singer Morgan Riley and guitarist Jeremy Bennett started the whole thing. They brought in Ron Dalton Jr on second guitar, Aria Novi smashing the bass, and Aamon Dalton blasting the drums. They dropped two early EPs and their first full-length "Sonder//Satori" a few years ago. Since then, they shared stages with heavy hitters like Soulfly, Jinjer, and Crypta. Now they return swinging with "Obscure Sorrows", getting Cryptopsy axeman Christian Donaldson to handle the mixing desk and Giannis Nakos to paint the cover art. Guitar shredders Greg Burgess from Allegaeon and Japanese master Yo Onityan drop in for guest solos.

The music smashes straight into your skull with total hostility. They blend raspy, blackened vocal attacks with massive grooves. The guitars deliver serious riffage. Melodic leads weave through the brutality, giving you plenty of reasons to snap your neck. Lyrically, they attack crazy folklore like La Llorona, old curses, and real-life miseries like depression and death. The aggression stays absolutely vicious. The orchestration adds massive layers to the violence. Everything impacts with intense force.

You get a serious dose of heavy music here. The drumming crushes skulls with relentless blasting and heavy double kick patterns. Riley tears her vocal cords apart with massive screams and deep growls. The two guitars rip through frantic thrash sections and heavy breakdowns. Sometimes the slower melodic parts drop the adrenaline a little too much. The songs have massive hooks, keeping you engaged through the violence. The production sounds aggressive. Donaldson gave them a huge wall of sound.

"Obscure Sorrows" delivers the goods for anyone who lives in the pit. It brings plenty of violence and neck-breaking riffs. Blackwater Drowning stepped up their songwriting game on this release. The guest guitar solos rip hard and add extra fire to the tracks. The orchestration makes the whole album sound absolutely huge. You will definitely trash your living room listening to this one. Blackwater Drowning came to destroy.

Score: 7.5

https://www.blackwaterdrowning.com

https://www.facebook.com/blackwaterdrowning

https://www.instagram.com/blackwaterdrowning

https://www.bleedingartcollective.com

https://www.instagram.com/bleedingartcollective

https://www.facebook.com/BleedingArtCollective

Fleurety |Min Tid Skal Komme |Aesthetic Death Records (Reissue)

Release Date 28.02.26
Format CD/LP/Digital
Genre Avant-Garde/Black Metal
Country Norway

Fleurety spawned in Norway during the early nineties explosion of extreme music, immediately carving their own weird path. They ignored the standard rules of the underground scene and crafted something completely alien. Fast forward thirty years, and Aesthetic Death is celebrating the absolute triumph of their 1995 debut album "Min Tid Skal Komme". This anniversary marks the first time official merchandise dedicated to this monumental release is hitting the streets since the original pressing.

True supporters need to pay attention because the label launched a strict pre-order run for "Min Tid Skal Komme" shirts, hoodies, and patches. This is a one-time operation. When the pre-order window closes, these items vanish into the void permanently. Anyone missing out will simply have to suffer in regret.

Alongside the threads, a limited double ten-inch vinyl edition of the "Inquietum" compilation is dropping into the physical world. This is a very small pressing designed for diehard maniacs. Securing a copy means moving fast, as the vinyl hits the market at the exact same time as the anniversary apparel.

"Min Tid Skal Komme" stands as a towering monument of bizarre, forward-thinking black metal. Three decades after reshaping the entire underground landscape, this material completely destroys everything in its path. Celebrating this absolute beast of an album with killer merch and the "Inquietum" compilation is the absolute best outcome for the fans.

Score: 9.0

Fleurety:

https://www.facebook.com/thetruefleurety

https://www.instagram.com/thetruefleurety/

Aesthetic Death:

https://aestheticdeath.bandcamp.com/

https://www.aestheticdeath.com/

https://www.facebook.com/aestheticdeath.uk

Misotheist |De Pinte |Terratur Possessions

Release Date February 20^th, 2026
Format CD/LP/Digital
Genre Black Metal
Country Norway

Misotheist operates completely in the shadows. Nobody actually knows who handles the instruments or the vocals in this anonymous Norwegian entity. They function devoid of typical rockstar egos, completely ignoring the usual demands for public validation. These musicians just churn out extreme music under the Terratur Possessions banner, acting exclusively through the sonic devastation they leave behind.

With "De Pinte", the band unleashes forty-three minutes of pure black metal aggression wrapped in heavy melancholy. The musicians deliver blistering riffs, furious drumming, and harsh, tearing vocals. The songwriting stays entirely focused on creating an atmosphere of complete hostility. The guitar work constantly alternates between fast, freezing tremolo picking and slower, punishing chords. "Blinded And Revealed" steps up with massive fury, immediately attacking the listener with blast beats and sinister melodies.

The production remains strictly raw, providing an abrasive edge to the entire release. You can easily hear every cymbal crash and every distorted chord ringing out into the void. "Kjetterdom" attacks with a relentless pace, beating the listener down with savage intensity. They throw in frequent tempo changes, keeping the chaotic energy incredibly high at all times. The colossal twenty-minute title track, "De Pinte", demands serious endurance, dragging you through an endless maze of despair and violent hostility.

This album absolutely delivers the dark, violent atmosphere fans demand from underground black metal. Sometimes the drawn-out sections in the final track test your patience, dragging on just a fraction too long. Regardless, the entire tracklist provides a harsh, punishing listen. Misotheist continues to execute their particular brand of darkness with supreme skill. "De Pinte" stands as a thoroughly respectable assault for any dedicated black metal maniac.

Score: 7.8

www.terraturpossessions.com

Mega Colossus |Watch Out! |Cruz Del Sur Music

Release Date 06.03.2026
Format CD/LP/Digital
Genre Heavy Metal
Country USA

Since their formation in 2005, Mega Colossus has unleashed traditional heavy metal fueled by crazy harmonies and massive personality. Keeping a totally stable lineup since 2021, the guys followed up their killer 2023 release "Showdown" with massive momentum. Taking cues from vintage Dio warnings, "Watch Out!" was born at Warrior Sound in North Carolina under the guidance of Al Jacob and Matt Tuttle. The music totally rejects modern extreme metal rules, ditching screams and down-tuned guitars entirely for high-speed melodic assault.

These guys wear black jeans and leather jackets, sweating out real heavy metal 24/7. Vocalist Sean Buchanan belts out wild stories about science fiction universes and space battles over insane four-part vocal arrangements. Chris Millard and Bill Fischer unleash crazy twin-guitar attacks, ripping inspiration from Iron Maiden speed and Thin Lizzy hard rock. The songwriting takes sudden, unpredictable left turns into punk and thrash madness. The music strikes with maximum impact every single time.

"Watch Out!" keeps the energy skyrocketing and the riffs completely lethal. "The Halls Of Mystikos" starts with a weird, spooky atmosphere before erupting into heavy metal fury, channeling total Uriah Heep madness. The rhythm section consisting of Anthony Micale on bass and Doza Mendoza on drums keeps the entire machine running at maximum overdrive. The guys take huge musical risks, trusting their massive melodies to win the day completely.

Mega Colossus continually destroys stages at underground European festivals like Hell Over Hammaburg and Up The Hammers. Taking their new songs directly to the diehards in 2026, they keep proving true heavy metal thrives on pure fun and blazing speed. "Watch Out!" kicks absolute ass, delivering the ultimate melodic assault headbangers demand today.

Score: 8.5

https://www.cruzdelsurmusic.com

https://www.facebook.com/cruzdelsurmusic

https://cruzdelsurmusic.bandcamp.com

https://www.instagram.com/cruzdelsurmusic

https://www.facebook.com/colossusmetal

https://www.instagram.com/megacolossus

https://colossusmetal.bandcamp.com

Temora |Demo 2025 |Blood Harvest Records

Release Date March 13^th, 2026

Format CD

Genre Death Metal

Country Czech Republic

Temora emerged from the shadows of Budweis, Czech Republic in 2025. This young crew of teenagers immediately started churning out rotting death metal, eventually dropping their first cassette via Filth Junkies Records. Now, Blood Harvest Records steps in to release "Demo 2025" on CD. For a bunch of kids essentially just starting out, they managed to put together a seriously vicious collection of tracks.

The music relies heavily on traditional death metal brutality combined with complete sonic rot. Guitars churn through punishing riffs, backed by a relentless rhythm section. The production sounds completely natural, capturing a raw energy that translates perfectly through the speakers. Vocals puke out aggressive patterns on tracks like "Koroze" and "Astrální Vize", tearing through the mix with absolute hostility.

Songs like "Trollmor" and "Znesvěcení Slunce" deliver pure punishment. Temora relies on sheer force and blunt savagery to get the job done. The drumming batters the skull with precision, driving the guitars forward into total chaos. The riffs are menacing and thick, creating an atmosphere of total devastation. Everything clicks together, resulting in a crushing assault that demands volume.

For a sixteen-minute run, "Demo 2025" creates a massive impact. These guys bring serious violence to the table, proving they have the chops to back up the hype. The songwriting is impressively mature for a band this young, and the execution is completely ruthless. As a starting point, this release delivers the goods and points toward a massive full-length down the road.

Score: 7.5

www.temora.bandcamp.com

www.bloodharvest.se

www.facebook.com/bloodharvestrecords

www.bloodharvestrecords.bandcamp.com

https://www.instagram.com/temora_death

https://temora.bandcamp.com/album/demo

https://www.youtube.com/@Temora-death