Windswept began in 2016 as the spontaneous
outlet of Roman Sayenko, the well known
figure behind Drudkh, together with two long
time collaborators. The idea was simple, straight to the point black metal
created quickly, with sessions driven by instinct rather than long planning.
Their early work, from “The Great Cold Steppe” to “The Onlooker”, carried that
raw impulse. Each creation was built on fast writing and faster recording,
something that gave the band a harsh and unvarnished identity. Over the years Windswept became the place where Sayenko could channel material that stood apart
from his other bands, something more immediate and rooted in the early
Ukrainian black metal spirit.
“The
Devil’s Vertep” turns toward historical storytelling. Windswept
draws directly from “The Black Book Of Kremenets Castle 1747 1777”,
bringing to life the witch trials of Western Ukraine. The album moves through
accusations, interrogations, forced testimonies and executions, all presented
through six long compositions that stay close to the source material. Each
title signals the chapter it represents. There is no romanticizing, the music
stays true to the grim reality behind these events.
As a whole,
“The Devil’s Vertep” stands as a grim walk through documented cruelty, shaped
by a band that prefers instinct over comfort. The music stays grounded, driven
by pressure and tension, always pushing forward. The score reflects an album
that reaches its goal with honesty and commitment to its concept, even if its
approach may be too uncompromising for some listeners. It is a strong entry in Windswept’s path, and one that deepens their
identity without breaking from what they represent.
Score: 7.5


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