Olde Outlier rises from a long underground
lineage, and that history gives their first full-length a certain gravity. Beau Dyer, once the driving force behind Innsmouth and previously Grenade,
returns with a fresh team that still carries echoes of those older groups
through shared members. Appleton and Greenbank once handled Innsmouth
material on stage, while Askew brings
the same guitar instinct he sharpened in Grenade.
The band might share bloodlines with the past, although what they carve out now
is its own twisted corner of Australian black metal, darker and more ancient in
character.
“From
Shallow Lives To Shallow Graves” drops the listener into a heavy, cavernous
sound that leans on long structures and steady pressure. Instead of piling on
needless technical decoration, the band move with patience and grit. The music
has an earthy pull, shaped by influences that lurk beneath the surface rather
than scream their origins. You can hear hints of Armoured
Angel and early Samael, then
something more spectral, maybe a bit of Ophthalamia
or early Katatonia drifting around
the edges. Everything is coated in a sooty haze until the edges blur and the
reference points stop mattering.
Appleton’s voice
keeps the whole thing anchored. His low growls have a ghastly tone, nothing
theatrical, just raw and cavernborn. Around him, the guitars stretch out with
wider phrasing than Innsmouth ever used. There is more space between the notes,
more open air where lead lines can twist, and the occasional use of chorused
guitar gives the album a strange glow. The bass sits warm under all of it,
adding a steady pulse that supports the long climbs and descents.
The mix is
rough around the edges, which suits the band’s personality. It has the feel of
something carved out of stone instead of assembled piece by piece. Even when
the band reach more melodic territory, the tone stays rooted in earth and
smoke. This blend of ruggedness and distant, almost dreamlike traces gives the
album a strange pull. It is dark, but not in a polished or theatrical way. More
like wandering into a cave and finding old carvings on the wall, half hidden in
soot.
“From
Shallow Lives To Shallow Graves” demands attention but doesn’t lecture the
listener. It draws you in by letting the music throb and stretch until your
sense of time bends with it. The atmosphere absorbs you slowly rather than
knocking you flat. For a debut, it stands on steady legs and opens a path that Olde Outlier can travel deeper into. It may not
reach the heights of a future masterpiece, although it already shows a band who
understand their terrain.
Score: 6.5

No comments:
Post a Comment