Thursday, October 2, 2025

Now I've Done It | An Ill Guest | Self-Release

 

Release Date: 17 October 2025
Format: CD/Digital
Genre: Avant-Garde Metal/Swing/Punk-Cabaret
Country: USA

Now I’ve Done It, or NiDi as they like to be called, is not the sort of band you can place neatly into one corner of the metal world. Born in Philadelphia in 2010 from the minds of lifelong friends Peter Hraur and Dan Reynolds, the band was always about shaking up expectations. Their first demo, “Rigamarole,” already hinted at chaos with purpose: dramatic, heavy, playful, sometimes absurd, always energetic. Over the years, NiDi became a local cult favorite, known for turning shows into theatrical happenings, with stages full of swing-driven riffs, headbanging passages, and humor that never undermined the music. With “An Ill Guest,” their debut full-length, the duo finally steps out of the local scene into something far stranger and more ambitious.

The album’s ten tracks are like a wild carnival of styles crashing into each other. “Disillusion” sets things off with a long-form introduction that zigzags between progressive metal and swing, constantly shifting gears without warning. “Dilly-Dally” lives up to its title, bouncing between tongue-in-cheek rhythms and more dramatic metallic passages. By the time you hit “Collywobbles” or “Kindling,” it’s clear that NiDi is all about pushing the listener into unexpected territory.


Musically, “An Ill Guest” is loud, brash, and theatrical. The guitars can lurch from jagged avant-garde riffing to cabaret-style strumming within seconds, while the rhythm section never sits still, pulling the songs through swing, punk, and more traditional heavy metal passages. Vocals switch from snarls to croons, often with a dramatic flair that fits perfectly with the band’s cabaret influence. If you’ve ever wondered what Diablo Swing Orchestra might sound like in a sweaty Philadelphia basement with a DIY punk attitude, this album gets close.

The production by Peter Hraur keeps everything vibrant and a little raw. This isn’t an album smoothed over for mass consumption, and that’s part of its charm. There’s a sense of spontaneity throughout, as if the songs were recorded mid-laughter, mid-argument, or mid-manic brainstorm. The artwork, painted by Eliran Kantor, ties the whole package together with its surreal, slightly unsettling imagery, matching the music’s mood of mischievous chaos.

At its best, “An Ill Guest” is unpredictable fun. It’s easy to get swept along by the energy and strangeness, to enjoy the mix of humor and heaviness without worrying about where the next twist will land. At times, though, the sheer variety can work against it. Some tracks sprawl longer than they need to, others bounce off in directions that don’t always land with the same impact. It’s a record that thrives on personality and risks, and while not every idea sticks, the overall ride is worth taking. For a debut full-length, “An Ill Guest” is exactly what you’d expect from a band like NiDi. Daring, chaotic, and unashamedly strange. It might not satisfy everyone, but for those looking for something off the beaten path, it offers plenty to chew on. Absolutely insane band and album.

Score: 8.5


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