heavy-metal-darkness: Tardigrade Inferno |Hush |Self-Release

Wednesday, February 18, 2026

Tardigrade Inferno |Hush |Self-Release

Release Date March 5^th, 2026
Format Digital
Genre Dark/Cabaret Metal
Country Russia

Tardigrade Inferno is a dark cabaret metal band known for mixing heavy riffs with theatrical, circus-like atmospheres. They have built a reputation on their chaotic live performances and a visual style that borrows heavily from horror aesthetics and dark humor. "Hush" is their third full-length studio album, following up on their previous releases with more tales of the macabre. The band consists of a rhythm section, keyboards, and the distinct vocal work of Darya Rorria, creating a sound that sits somewhere between a freak show and a metal concert.

"Hush" lands in the speakers like a sequel that nobody really asked for but is decent enough to watch anyway. Tardigrade Inferno has spent years building this spooky carnival sound, and this album feels like they are just adding another room to the funhouse rather than burning the building down. It sounds exactly like them, which is fine if you are obsessed with their previous stuff, but it feels a bit safe. The circus burned down in the intro, yet the band seems content to play among the ashes rather than building something new and terrifying.

The main attraction here is obviously Darya Rorria. She carries the entire emotional weight of the album on her back. Her voice shifts from a creeping whisper to a full-on shout, and she sells the drama hard. The problem is that the rest of the band sometimes feels like paid actors in her play. The keyboards are doing that cool retro-horror thing, buzzing and whining like a broken radio, but the guitars often take a backseat. They chug along competently, yet they rarely threaten to rip your face off. It is metal, sure, but it feels like metal with a leash on it.

Production-wise, everything is where it should be. The bass is loud and rumbles nicely in the low end, and the drums kick with enough force to keep your head nodding. However, the whole thing feels a bit too clean. For a band that sings about dark, twisted fairytales and burning circuses, the sound is surprisingly polite. It lacks the filth and danger that you want from this kind of music. It is professional, shiny, and easy to digest, which takes away some of the edge they desperately try to project visually. "Hush" is a competent album with some catchy moments, but it struggles to be memorable. It is a fun distraction, but once the curtain falls, you probably won't be rushing back for an encore.

Score: 6.5