Bloodbound formed in
Sweden in the mid 2000s and quickly earned a loyal following through their
energetic take on power metal. Across two decades they built a reputation for
big choruses, heroic themes and a commitment to classic European metal values.
Their catalogue shows a steady climb toward grander concepts and stronger
songwriting, making them one of the more consistent modern bands of the style.
“Field Of Swords”
arrives as Bloodbound’s debut for Napalm Records and has the sound of a band
stepping into a new chapter with strong form in their craft. The move into a
Middle Ages concept fits them well. Their interest in historic storytelling
grows sharper here, and the album treats the era not as decoration, but as a
living battleground for its triumphant atmosphere and darker edges. The shift
past the Viking era gives the band fresh room to paint new scenes, and they
take that opportunity with energy.
The second half keeps
the steel hot. “Light In The Sky” and “Teutonic Knights” push the album into
heavier territory, giving the tales a harder edge. Even at their most dramatic,
the band avoid unnecessary clutter. “Forged In Iron”, “Pain And Glory” and “Born
To Be King” channel the marching heart of classic power metal while keeping the
flow steady and engaging. The closing track, “The Nine Crusades”, gets an extra
spark from Brittney Slayes. Her voice lifts
the finale into a grand send off that feels earned, a closing charge rather
than a last minute flare.
“Field Of Swords”
shows Bloodbound standing strong twenty
years into their journey. The themes are clear, the writing focused, and the
energy high. It is an album built to rally listeners, waving banners of melody,
battle lore and persistent fire. Fans of European power metal will find a band
that still moves forward with intensity.
Score: 8.0
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