When it comes to modern black metal, few figures are as restless and
productive as Peregrinus. Known for projects
such as Hjemsøkt, Solus
Grief, Unholy Craft and Heraldic Blaze, he has shaped his own small
universe of darkness and frost. Under the Kvad name,
he channels the coldest traditions of Norwegian black metal, with “Sort
Skogsmesse” marking the project’s third full-length release. Recorded in the
depths of winter at Numinous Cavern Studio,
the album continues Peregrinus’ path into
the raw and ancient.
“Sort Skogsmesse”
builds on the spirit of Kvad’s previous work
“So Old”, but this time, the music sounds even more rooted in the grim Nordic
legacy that shaped the genre decades ago. The production is harsher, the guitar
tone thick and distant, and the vocals rougher and closer to the early ’90s Norwegian
approach. The sound is icy but grim, the kind of texture that belongs to forest
landscapes and endless nights. Subtle synth touches appear like faint lights in
the distance, never overwhelming the rawness of the main sound.
Peregrinus’ vocals cut through the mix with a throatier tone, somewhere between a rasp and a roar, while Lord G’s drumming maintains a balance of power and restraint. Together they craft something that sounds true to the early Scandinavian lineage, echoing the influence of Gorgoroth and Kvist, while still sounding alive and present rather than nostalgic. “Sort Skogsmesse” is an album that rewards immersion. It doesn’t rely on theatrics or dramatic shifts, instead trusting in atmosphere, repetition and the icy pull of its riffs. This is the creation of an artist deeply rooted in that tradition intimately and treats it with the right devotion.
Score: 7.0

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