Chicago-based musician Jason
Blake has become a steady name in the progressive scene, known for his
skill on the Warr guitar and his tireless creativity. Between his solo material
and his work with Aziola Cry, Blake has built a strong identity within modern
instrumental music. Over the past few years, he’s released a series of albums
and collaborations that explore different shades of progressive sound, from the
cinematic textures of his work with cellist Raphael
Weinroth-Browne to the rhythmically intricate sessions with drummer Marco Minnemann.
With
“Infinite Fade”, Blake takes another turn,
crafting a futuristic and haunting concept centered around the downfall of a
civilization. Using only his Warr guitar and some percussive accents, he
constructs a sound world that feels distant and human at once. His approach to
melody carries a strong sense of progression, with layers moving from quiet
introspection to controlled chaos. The music has a certain cold beauty, like a
digital landscape slowly eroding under time and decay.
“Infinite
Fade” feels like the soundtrack to an imagined world, wordless but expressive,
methodical but full of emotion. Blake’s
playing keeps a fine balance between technical skill and narrative flow, and
his use of tone and space makes the album easy to immerse in. The production
has a crisp modern sound that complements his vision, without feeling sterile
or overprocessed.
For
listeners who enjoy the instrumental worlds of artists such as Trey Gunn, Cynic,
or Tool, this album offers a satisfying and
thoughtful experience. “Infinite Fade” stands as a focused, well-realized
release from an artist who continues to evolve without losing direction.
Score: 7.0
https://www.jasonblakemusic.com
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