After four albums that have carved deep scars into the European
post-metal scene, Abraham returns with
“Idsungwüssä”, their fifth full-length and the final chapter in their
apocalyptic trilogy. Known for their bleak atmospheres and philosophical
undertones, the Swiss collective once again step into the void with a record
that sounds as if it’s written from the ashes of humanity itself.
Their previous
releases, especially “Débris De Mondes Perdus” and “Look, Here Comes The
Dark!”, were vast explorations of ruin and rebirth. “Idsungwüssä” continues
that path but shifts the perspective, away from Earth and into a cosmic
wilderness, where desolation turns into transcendence. The album’s concept
follows a parallel thread to their earlier works, closing the circle not
through repetition, but through expansion.
The production, shaped
between late 2024 and early 2025, captures an intensity that feels lived-in.
You can almost sense the fatigue and determination of the band as they balanced
daily life with creative struggle. This pressure becomes part of the music. The
sound is enormous, thick layers of guitars stacked in an unusual way, left and
right channels in unison while the center bursts through with a third voice.
The result is colossal and suffocating, drenched in reverb that turns riffs
into waves of distortion.
“Idsungwüssä” unfolds
as a journey rather than a collection of songs. It stretches across despair and
transcendence, moving from grinding sludge passages to ethereal stretches that
dissolve into silence before another storm returns. It’s not an easy listen,
but that’s precisely its strength. This is music made to confront the listener
rather than comfort them.
By the album’s closing
moments, there’s a sense of finality, a strange peace among ruins. Abraham don’t simply continue their saga, they
bring it to an end with conviction, beauty, and an honesty that few bands in
post-metal can claim. It’s an album that demands patience and rewards
immersion. A powerful and immersive finale from a band unafraid to dig deep
into the bleakest corners of existence, “Idsungwüssä” stands as a fitting
closure to Abraham’s trilogy, harsh, human,
and haunting.


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