Kyiv’s Vøvk returns
with their second full-length album, “Litera”, a concept-driven work that binds
together emotion, symbolism, and the raw pulse of Ukraine’s current era. The
trio has always balanced structure with emotional chaos, and this time they
sharpen that contrast through a story told in cycles, drought, fire, flood,
renewal, and back to drought again. It’s less an album of separate tracks and
more an emotional landscape shaped by shifting seasons and inner weather.
From the
first minutes, “Litera” opens like a ritual. The atmosphere is thick, driven by
earthy percussion and layers of guitar that feel organic and unforced. The
production by Roman Bondar (Lizard Audio, Kyiv) gives the songs a physicality,
every bassline hits with the pulse of a living organism, every drumbeat like a
heartbeat echoing in the soil. The sound is neither minimal nor overblown, just
dense enough to hold its weight.
The
presence of guest musicians brings depth rather than decoration. Johannes Persson (Cult
Of Luna) appears on “Promin”, his deep voice adding gravity to the
song’s portrayal of perseverance and love for one’s homeland. “Okean”, with Anton Slepakov, closes the album in an
introspective tone, tying the story back to its beginning. The use of choir and
spoken word parts adds warmth and humanity, making the album’s concept feel
communal, not just personal.
For a band
coming from a country living through war, “Litera” feels like a quiet act of
endurance. It’s poetic without being pretentious, heavy without being
oppressive. Vøvk has crafted an album that
speaks less through words and more through textures and emotions. It doesn’t
reach transcendence, but it remains deeply human, a mirror to the world’s
instability and a reminder that renewal always begins in silence.
Score: 7.2
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