Two decades after their formation, Svartsot return with “Peregrinus”, their sixth
studio album and what they call their final “traditional” release. The Danish
folk metallers have long carried the torch for medieval-inspired metal in
Scandinavia, combining heavy riffs with authentic folk instrumentation. With a
concept rooted in a crusader’s doomed journey toward faith and disillusionment,
“Peregrinus” feels like a fitting milestone for the band’s 20th anniversary.
The
production by Tue Madsen at Antfarm Studios gives “Peregrinus” a rich, organic
tone. The guitars rumble with warmth, and the folk instruments, whistles,
bagpipes, mandolin, cut through like wind over a battlefield. The rhythm
section is tight and precise, Rune Frisch’s drumming
adding muscle without smothering the melodies. The music unfolds with
consistent focus, and while the album doesn’t chase experimentation, it
maintains a strong character.
“Peregrinus”
sounds confident and rooted in what Svartsot do best, sturdy folk metal that
balances heaviness with melody and history with storytelling. It’s not the kind
of album that aims for surprises, but one that stands firm in identity and
craftsmanship. As a closing chapter to their traditional style, it works as a
solid farewell to the sound that built their name.
Score: 8.0
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