Formed in 2020, Heteropsy
comes from Japan and share members with Frostvore.
While Frostvore go for the straight Swedish
death metal sound, Heteropsy describes their
approach as “mourning death metal,” combining the heavy buzz of the Boss HM-2
pedal with the slow, dragging sadness of doom. Their sound mixes the bleak
atmosphere of bands like Autopsy and Rippikoulu with the melancholy of Switzerland’s Sadness and the violent edge of early Naglfar. After several short releases, “Embalming”
marks their first full-length album, released via Caligari
Records.
The eight
tracks that make up “Embalming” run for nearly fifty minutes and are drenched
in distortion and decay. The guitars are tuned to sound like machinery from a
forgotten age, grinding and humming through every riff. The drums stomp along
with a ritualistic pulse, creating a sense of repetition that suits the
death-and-decay theme. The bass hums beneath everything, adding weight to the
already oppressive sound. The vocals are buried deep within a tomb, as an
instrument within the chaos.
“Embalming”
sounds like a tribute to the death-doom tradition that rose from the Nordic
underground in the 90s, filtered through the strange precision of Japanese
musicianship. The atmosphere is heavy, mournful, and unrelenting, and doesn’t
rely on experimentation. Instead, it locks into its chosen path and follows it
with discipline. The result is an album that drags the listener through its
world of rot and sorrow, one slow riff at a time.
For those
who appreciate their death metal thick, cold, and steeped in despair,
“Embalming” delivers exactly that. It’s not an album with deep analysis but that’s
absorbed in a dark room, where the sound of decay becomes something grimly
mesmerizing. Heteropsy’s debut is a solid release
from a band that clearly understands the bleak power of death and doom merged
into one mass.
Score: 7.0
https://heteropsy.bandcamp.com/
No comments:
Post a Comment