Ten years after their last full-length, “Fragments”,
Dysentery returns with an album that smashes
expectations for brutal, slam death metal. Emerging from the shadows, the band
delivers music that is punishing, visceral, and meticulously crafted. Dysentery’s “Dejection Chrysalis” is a short,
explosive journey, barely tipping the half-hour mark, but leaving a
long-lasting impression.
The opener,
“Transference”, immediately sets a tone of mutation and transformation. It’s
concise, unsettling, and signals that you are entering a world where the
ordinary rules do not apply. The following tracks unleash the full force of Dysentery’s sound. “Enslavement For The Obedient,
Agony For The Wayward” hits with intense guttural vocals, dense guitar riffs,
and rhythms that connect with a primal part of the listener.
Guest
appearances from Jared Weed and JT Knight add depth to the sound without
dominating the core. The mix and mastering by Randy
LeBoeuf bring out a heavy, punchy sonic quality, and the artwork by Hidris complements the album’s themes with stark,
imposing visuals. Dysentery manages to
sustain intensity across the short runtime while keeping the listener engaged,
and the album’s moments of groove and rhythm changes give it dimension beyond
pure speed and force.
For fans of
Putrid Pile, Internal
Bleeding, Guttural Secrete, and Pyrexia, “Dejection Chrysalis” delivers a focused,
punishing listening experience. It’s an album that not lingers too long but
leaves its mark, a testament to a band that has matured in its extremity over a
decade-long hiatus.
Score:
7.3
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