Monday, October 6, 2025

Araphel | The Endchanter | Nuclear War Now! Productions

 

Release Date: 31 October 2025
Format: CD
Genre: Black Metal
Country: Italy

Araphel is a new name in the Italian underground but the members are not newcomers. The band is led by Santo, a prolific figure in the scene, handling vocals, bass, and acoustic guitar. Alongside him are Doomed Warrior and Gabriel on guitars and backing vocals, with session drummer Mirko Soncini completing the lineup. They released the EP “Old Comet Transition” in 2024, a glimpse into their raw and personal vision of black metal. Now they return with their debut full-length, “The Endchanter”, a 39-minute album that arrives through Nuclear War Now! Productions on Samhain 2025.


“The Endchanter” is a direct and unpretentious album. Across seven tracks, Araphel delivers black metal that draws from traditions established in Europe and South America, yet they filter those roots through a deeply personal perspective. The music has a classic metal backbone, with guitars carrying both aggression and mournful undercurrents, while the bass lines and occasional acoustic textures add an organic weight to the songs. Santo’s vocal delivery is coarse and straightforward, making the lyrics and themes sound like honest confessions and occult.

The production keeps the sound grounded. It is raw enough to fit into the underground, but recorded and mixed with enough care to make the layers distinct. The guitars weave between sharp tremolo patterns and heavy riffing, sometimes breaking into passages that lean toward melancholy, while the drums give a steady backbone without drowning in speed for its own sake. Tracks like “Old Comet Transition” and “Elysian Fields Ablaze” show how the band balances aggression with atmosphere, while the shorter “Tempus Edax Rerum” serves as a pause, giving breathing space before the album’s closing statement.


Lyrically, the album avoids fantasy, demons, or religious inversion, instead choosing to confront reality and the emptiness of modern life. Songs reflect disillusionment, human struggle, and the search for meaning in a decaying world. This approach makes “The Endchanter” stand apart from more conventional black metal themes, turning it into an album that is closer to poetry or philosophical critique set to distorted guitars.

The experience of “The Endchanter” is compact, sincere, and grim. It invites multiple listens, not because it hides technical trickery, but of the atmosphere it builds comes across as genuine, as if every note and word is drawn from lived experience. It is heavy in spirit, direct in execution, and speaks to listeners who want their black metal to carry human truth rather than fantasy escapism.

Score: 7.3

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