Eisregen’s history has always been bound to
controversy. Formed in 1995 in Thuringia, the band quickly became one of the
most polarizing names in the German extreme metal scene. Known for their
provocative lyrics, black humor, and a sound that sits somewhere between death
metal, gothic influences, and dark folk-inspired elements, Eisregen carved out their place as cult icons.
Their second album “Krebskolonie,” originally released in 1998, was the album
that pushed them into infamy. It was banned in Germany for years, earning its
place as a whispered legend among fans and critics. Now, in 2025, celebrating
their 30th anniversary, Eisregen brings it
back in a new form, complete with live tracks and a reworked version of one of
their most notorious songs.
Hearing
“Krebskolonie” again with a modern production touch is a strange experience.
The essence of the album remains grim, theatrical, and sometimes grotesque. The
remastering by Markus Stock gives the sound
more presence, yet the songs retain their raw and almost uncomfortable
character. Tracks like “Scharlachrotes Kleid” and the title track
“Krebskolonie” maintain that unsettling mix of melody and morbidity that made Eisregen such a unique act in the late 90s. The
violin passages from 2T and the keyboard
layers add a twisted elegance, while the vocals of M.
Roth remain as abrasive and unsettling as ever.
The new
artwork by Svartir Andar Graphix fits the
atmosphere of the release, visually amplifying its morbid concept. The
packaging and expanded edition make this a collector’s item, especially for
those who never had access to the original album due to its ban.
Still,
listening to “Krebskolonie” in 2025 is different than hearing it in 1998. The
shock value is dulled by time, and while the remaster adds power, the material
itself feels like a product of its era. For longtime fans, it is a must-have
historical reissue. For new listeners, it can be fascinating, but not essential
beyond its cult status. Eisregen’s return of
this infamous record is a celebration of their past, though it is more a
monument of what was then a revelation of what is. This reissue succeeds in
preserving the myth and making it accessible again, but musically it lands as
solid rather than outstanding.
Score:
6.5
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