Release Date: October 17th, 2025
Format: CD/Digital
Genre: Melodic Black Metal
Country: United Kingdom
Argesk first stepped into the black metal world in
2019 with “Realm Of Eternal Night”, a debut that earned them recognition as one
of the most promising young acts in the UK scene. Formed in Manchester, the
band built their sound around a blend of sharp riffing, dramatic synth
arrangements, and a flair for gothic atmosphere. Over the years they have
shared stages with names like Hecate Enthroned
and Winterfylleth, slowly developing into a
stronger, more ambitious entity. With “Moonlight Pyromancy”, their second
album, Argesk takes that ambition and ignite
it into something grander, darker and more elaborate.
The album
runs just over 45 minutes and begins with “Invocation”, a short instrumental
prelude that prepares the ground for what follows. From there, the band dive
into “Servant Of Fire” and “Accursed Victory”, where melodic guitar lines
intertwine with commanding vocals and orchestral layers, giving the songs a
sense of narrative progression. Argesk’s use
of keys and symphonic touches never overwhelm, instead they serve as a backdrop
that enriches the riffs and keeps the listener immersed in the unfolding drama.
One of the most striking compositions is “Black Castle Waltz”. Its regal, almost theatrical quality makes it stand apart, like an old tale whispered in a crumbling fortress, full of vampiric grandeur. Later on, “Wreathing Serpent” expands into a long track of ebb and surge, offering both aggression and atmosphere without one swallowing the other. “Tempest” brings rawer energy, while the title track “Moonlight Pyromancy” closes the main body of the album with triumph and darkness combined, before returning once more to “Black Castle Waltz” in a reimagined form featuring guest vocals from Dean Seddon (Hecate Enthroned, Redimus). His presence gives the finale an extra layer of spectral intensity.
Musically,
the album strikes a balance between melody and ferocity. The guitars provide
both sharp tremolo passages and sweeping harmonies, while the rhythm section
supports them with drive and depth. The keyboards add atmosphere without
turning the music into symphonic excess, and the vocal range, harsh and clean,
gives the songs variety and theatrical color. The production, handled by Chris Taylor at Noiseboy
Studios and mastered by Chris Fielding,
ensures that every instrument is heard clearly without losing the raw edge
expected in black metal.
“Moonlight
Pyromancy” is an album full of dark storytelling, well-enough written
compositions and an atmosphere that’s majestic and sinister. It shows a band
that has confidence and vision, creating music rich in detail and strong arrangements.
Score: 7.0
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