Cromlech | Of Owls And Eels | Darkness Shall Rise Productions

 

    Cromlech was originally founded in 1994 by Eugen “Impurus” Herbst as a solo black metal project. At that time, a demo titled “Cold And Stiff” was nearly completed, but the project was put on hold due to the formation of Dies Ater, in which Impurus became the drummer. Over the following decades, he was active in the German underground scene, contributing to Cryogenic, Albez Duz, and others. In 2021, Cromlech was revived. Tracks originally conceived in the mid-1990s were re-recorded, and new compositions were added. With the support of guest musicians, Cromlech is now also performed live.

 “Of Owls And Eels” is the second full-length by Cromlech, and it immediately reflects the long history behind its creation. While it belongs to black metal, it doesn’t stick to one formula. The album moves across moods and ideas with fluid pacing and variation. It blends old-school riffing and atmospheric segments with precision and depth.

The production is raw but intentional, matching the character of the compositions. There’s a sense of familiarity, especially for listeners who know Nagelfar, Lunar Aurora, or The Ruins Of Beverast, yet the album retains a distinct voice. It’s not fast or chaotic for the sake of it. Instead, the energy is shaped carefully from track to track, and nothing feels rushed or underdeveloped.

Keyboards play an important role, adding eerie and foggy textures. They don’t overwhelm the songs but give them an extra dimension. Impurus's drumming is sharp and varied—never mechanical or dull. Vocals are harsh, echoing from a distance, which suits the music’s haunted, cold atmosphere.

Some songs lean toward doom, while others carry more traditional black metal momentum. There are even moments of calm or slow buildup, showing that the music isn’t just about speed or aggression. “The Quiet Witness” especially stretches out into something more introspective, suggesting connections to Albez Duz.

Despite being a solo project, the music sounds full and balanced. The material feels carefully shaped over time. Every track contributes something different, and the flow from beginning to end keeps the listener engaged. Nothing drags, and nothing feels too brief.

This isn’t a modern or glossy release, nor is it trying to replicate a specific era. It exists in its own space—dark, atmospheric, and sometimes surreal. The unusual title reflects the strange and dreamlike feeling that surfaces throughout the album.

“Of Owls And Eels” is the work of a musician who knows his craft, with ideas shaped over decades rather than months. It may not be loud or aggressive at every moment, but it stays memorable and deep. Fans of atmospheric and thoughtful black metal will find a lot to worship here.

Score: 8.3