Black
Majesty formed in
Melbourne, Australia, in 2001, quickly establishing themselves within the global
power metal scene with their debut album, “Sands Of Time” (2003). Known for
their energetic compositions, melodic guitar leads, and soaring vocals, the
band has built a loyal following across Europe and Australia. Over the years,
they have shared stages with heavyweights of the genre and consistently
delivered albums rooted in traditional metal foundations. “Oceans Of Black” marks
their eighth full-length release and reflects the band’s ongoing commitment to
melodic power metal, bringing both experience and intensity to the fore.
“Oceans Of
Black” continues Black Majesty’s trajectory with confidence and clarity.
The album plays with a balance of aggressive rhythm work, high-pitched melodic
vocals, and anthem-like choruses that feel purpose-built for live performances.
From the opening charge of “Dragon Lord” to the expansive closer “Ghost In The
Darkness,” the band embraces a consistent tone and pacing that fans of the
genre will immediately recognize and appreciate.
John
Cavaliere’s vocals
remain one of the band’s key assets. His delivery on songs like “Lucifer” and
“Only The Devil” blends theatrical flair with precision while never
overwhelming the structure of the compositions. The dual guitars of Hanny
Mohamed and Clinton James Bidie bring harmonic runs and memorable
leads, driving forward tracks like “Set Stone On Fire” and “Hell Racer” without
veering into self-indulgence. The production—courtesy of Ricardo Borges
and final mastering by Jens Bogren—ensures that each element is audible
without smothering dynamics.
The title track, “Oceans Of Black,” strikes a strong midpoint, setting a tone of perseverance amid darkness, consistent with the album’s themes. Elsewhere, songs like “Raven” and “Astral Voyager” offer quick bursts of speed and classic power metal flair, firmly rooted in the genre’s traditions. The inclusion of keyboards, subtly integrated by Mohamed, gives occasional atmospheric breadth without dominating the sonic space.
Throughout
the album, Zain Kimmie on drums and Evan Harris on bass provide
tight, driving momentum, giving weight to even the more mid-tempo moments.
There’s a clear sense of purpose in how the rhythm section supports each track,
pushing forward without unnecessary complexity.
“Oceans Of
Black” does not stray far from the path Black Majesty has carved across
two decades, but it doesn’t need to. The songwriting remains direct and
effective. The album is cohesive, energized, and fully aware of its
audience—delivering an experience steeped in power metal tradition without
relying on excess or overwrought embellishment.
Score: 7.8
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