Warfield, a German trio formed in 2012, has
stayed loyal to the foundations of old-school thrash metal while sharpening
their edge through relentless live activity and a distinct passion for
war-themed imagery. The band consists of brothers Johannes Clemens
(vocals, bass) and Matthias Clemens (guitar), along with drummer Dominik
Marx. Influenced by thrash royalty such as Tom Angelripper, Jeff
Hanneman, and Dave Lombardo, Warfield began carving their path
through the underground with powerful live shows, including performances
alongside acts like Exodus, Iron Kobra, and Evil Invaders.
Their debut album, “Wrecking Command” (2018), introduced a savage and raw thrash
sound that combined classic aggression with precision, gaining them notoriety
among genre purists.
“With The
Old Breed” arrives as the band’s sophomore full-length and their first under
the Napalm Records banner. The album marks a sonic advancement from
their debut, retaining the blistering speed and punch of traditional thrash
metal while offering a more atmospheric and war-focused narrative. The
production is gritty and raw enough to satisfy genre expectations while clear
enough to allow the intricate drum work and bass lines to remain audible
beneath the storm of galloping riffs.
Lyrically,
“With The Old Breed” carries a cohesive theme rooted in the historical horror
and psychological breakdown of soldiers during wartime—specifically the brutal
reality of World War I trench and alpine warfare. Songs like “Lament Of The
White Realm” paint violent landscapes not just through the words, but through a
sense of pace and pacing that mimics the chaos of the battlefield. The band’s
choice to open with “Melting Mass” sets the tone with speed and violence, which
carries through the rest of the album without overloading the listener into
monotony.
Throughout, Johannes Clemens’ scathing vocals cut through like shrapnel, lending a constant urgency to the songs. Matthias Clemens provides riffing that is sharply articulated and drawn from classic Bay Area and Teutonic thrash influences, leaning into rhythmic shifts that keep the album from falling into predictable repetition. Dominik Marx delivers tight, punishing drumming that maintains momentum while occasionally offering unexpected variations that give the songs breathing room.
Rather than
attempting to modernize their sound beyond recognition or flirt with crossover
trends, Warfield keeps their focus firmly on the directness of their
mission. Tracks like “Soul Conqueror”, “Fragmentation”, and “Inhibition
Atrophy” continue the themes of inner disintegration and psychological torment,
yet the band never allows these tracks to become overly dramatic or
self-important. There is no grand narrative arc, just a steady series of heavy
strikes from the same sharpened blade.
The title
track, “With The Old Breed,” closes the album with a sense of reverence rather
than triumph. It feels like a march through scorched fields rather than a
victory parade—fitting for an album concerned more with the scars of conflict
than its glories.
This
release does not attempt to stretch the definitions of thrash metal, nor does
it seek to soften its message. What Warfield delivers here is a
calculated blast of fury, one informed by history, violence, and the raw
mechanics of the genre’s origins. It remains faithful to its influences without
falling into pastiche, and its themes avoid caricature by treating war with
grave seriousness rather than fantasy.
Score: 8/10
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