Friday, June 20, 2025

Mindwars | V | High Roller Records

 

Formed in 2013, Mindwars is the project of Mike Alvord, best known for his foundational role in the late ’80s cult thrash band Holy Terror. While the name references that band’s second album, Mindwars represents an autonomous project grounded in Alvord’s personal songwriting trajectory. The lineup is completed by Italian drummer Roby Vitari, known from his earlier work with Headcrasher, and bassist Rick Zaccaro, solidifying a tight and consistent trio. Since their debut, “The Enemy Within,” in 2014, the band has maintained a steady output and carved a niche for themselves within the global underground, including performances at festivals in the U.S., Germany, and Japan.

With “V,” Mindwars delivers an album clocking in just under 50 minutes that moves confidently between urgent thrash metal, mid-paced aggression, and progressive-tinged structural shifts. It continues the group’s tradition of thoughtful compositions shaped around tightly packed riffing and socially aware lyrics, keeping the listener engaged without relying on modern technical extremes or nostalgia-driven aesthetics.

The opening tracks lean into faster, militant rhythms, balancing articulate vocal phrasing and classic riff cycles that recall late '80s thrash without mimicking it. Mid-album cuts slow things down, creating breathing room without dragging momentum. This balance allows the band to explore contrast and tension more effectively than previous outings. The production values are raw but clear, giving space for each instrument to cut through without excessive layering or compression. Alvord’s guitar work remains central—his phrasing is calculated and concise, and his solos are structured with a traditional metal sensibility rather than excessive flair. His vocal approach is raspy, urgent, and consistent with the tone Mindwars has carried through their discography.


The rhythm section deserves mention. Vitari brings a natural, dynamic energy to the drums—tight in execution but unmechanical—while Zaccaro maintains a grounding presence on bass, staying in the pocket and holding momentum without unnecessary embellishment. One notable surprise comes at the end of the album with a reinterpretation of “The Logical Song” by Supertramp—a track that adds an unexpected yet coherent closing chapter. Rather than altering it drastically, Mindwars reframes the song through a sharp thrash lens, keeping its structure while amplifying its urgency and adding grit.

“V” is consistent in tone and execution. There’s a noticeable intent to keep the material honest, unfiltered, and driven by a clear sense of purpose. The album does not chase modern trends, nor does it cling to the past for validation. It occupies its own lane—an identity rooted in discipline, songwriting economy, and authenticity. It is neither excessive nor underdeveloped. For longtime fans of Mindwars and for those looking for sharp, straightforward thrash with intelligence behind it, “V” is a solid addition to the genre in 2024.

Score: 7.5



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