Imperishable is a Swedish death metal band
forged in the tradition of classic melodic aggression, drawing from the
legacies of Dissection, Necrophobic, and At The Gates,
while injecting their own sharpened intensity. Their approach respects the
roots of the genre without drowning in mimicry. With members Henric Skoog
(vocals), Robin Holmberg (guitars), Christopher Hjelte (bass),
and Niklas Holmberg (drums), Imperishable has been steadily carving a
path that balances sharp melodies and rhythmic intensity. Their 2025 release,
"Swallowing The World" refines that goal with added weight and
clarity, assisted by industry veteran Andy LaRocque at Sonic Train
Studios. The album also features guest contributions from Dennis Röndum
(ex-Spawn Of Possession) and LaRocque himself on guitar, adding
further depth to an already charged package.
"Swallowing
The World" is an album rooted in classic melodic death metal, but its
presentation is vivid and aggressive. It draws from established genre motifs
without sounding stuck in the past. There is a clear lineage to the Gothenburg
scene, but also nods to the darker, more atmospheric tones of bands like Necrophobic
and the tighter rhythmic attack found in Death.
The album
opens with a brief but ominous introduction in "Bells" before
launching into a storm of high-paced riffing and sharp vocals. From that point
on, the band maintains a consistent energy level, structured through intense
rhythm guitars, abrupt tempo changes, and layered melodic leads that remain
coherent without becoming too dense.
The production by Andy LaRocque gives the music space to breathe while retaining the density and crunch required for this style. The mix is clear, favoring the guitars without burying the vocals or the rhythm section. It avoids overcompression, which helps emphasize the natural flow of the band’s arrangements.
Lyrically
and tonally, the album is steeped in esoteric darkness. The inclusion of Juanjo
Castellano’s artwork on the cover underscores this tone, depicting swirling
chaos that mirrors the musical content—astral and violent. It enhances the
identity of the album without making it feel overly theatrical.
Guest
appearances are well-placed: LaRocque’s solo adds distinction without
overwhelming its context, and Röndum’s contribution adds a subtle flair
of extremity and extremism that complements the band’s own voice.
"Swallowing
The World" aims to refine melodic death metal with conviction and
discipline. Its songwriting maintains forward motion and delivers a balanced
blend of aggression and melody. While the genre’s templates are clearly
followed, the delivery is genuine, intense, and effectively executed.
Score: 8/10
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