Ancient Bards | Artifex | Limb Music

 

Ancient Bards formed in 2006 in Italy, emerging with a cinematic and orchestral style of power metal deeply rooted in high fantasy storytelling. Driven by keyboardist and composer Daniele Mazza, the band introduced themselves to the world with “The Alliance Of The Kings” in 2010, the beginning of what would become “The Black Crystal Sword Saga.” This saga, told across multiple albums, blends symphonic bombast with lyrical storytelling and operatic scope. Vocalist Sara Squadrani quickly became a defining presence of the group, adding classical clarity and dramatic weight. The band’s reputation steadily grew thanks to albums like “Soulless Child” (2011), “A New Dawn Ending” (2014), and “Origine” (2019). Each release deepened the narrative and musical ambition. After a six-year break, Ancient Bards return with "Artifex", concluding the second part of the saga.

"Artifex" continues the tradition of weaving a grand narrative through orchestral grandeur and metallic intensity. Unlike many concept albums that merely nod toward cinematic ambitions, this release feels constructed like a full-scale symphonic metal opera. Every element—from layered choir sections to solo violin, narration, and shifting vocal interplay—functions with cohesion and purpose.

There’s a rich texture throughout the album. The choral ensemble, featuring over 40 vocalists, adds not just volume but depth and dimension, giving the impression of a world inhabited by real characters and ancient forces. The blend between classical arrangements and heavy rhythm sections is carefully crafted, not just in terms of volume and tone, but in emotional pacing. This is not a collection of tracks but a unified experience, where orchestration and guitar work move as one entity.

Daniele Mazza once again proves himself a meticulous architect of sound. His orchestrations are expansive and detailed without becoming cluttered. Rather than adhering strictly to metal conventions, the compositions bend to the narrative needs. The shifts between bombastic movements and quiet, introspective passages never feel forced. Instead, they support the unfolding storyline of "The Black Crystal Sword Saga", carried forward by Sara Squadrani’s commanding performance. Her delivery is precise, evocative, and articulate—even at moments of theatrical excess, she maintains vocal dignity and expressive clarity.

Guitarist Claudio Pietronik and drummer Federico Gatti provide intensity and rhythmic flair, supporting the narrative arcs rather than overshadowing them. The inclusion of guest musicians, such as Francesco Cavalieri (Wind Rose), Mark Jansen (Epica), and Simone Mularoni (DGM), brings a broader tonal range and reinforces the scope. The violin solo by Gabriele Boschi (Winterage) on “Soulbound Symphony” is not a superficial garnish but a well-placed emotional crest.

The production is refined and majestic, giving every component space to breathe. Whether it’s the low-end weight of the bass, the high register of the sopranos, or the subtle transitions in piano and ambient textures, there is a sense of intention behind every mix decision. The instrumental edition included in the deluxe release adds value, revealing how strongly the music holds its ground even without vocals.

Most importantly, "Artifex" doesn’t simply retread earlier triumphs. Instead, it expands the sonic and conceptual vocabulary of the band. The final trilogy of tracks, especially the title track “Artifex,” functions as both a narrative and musical culmination. The use of spoken word, male choirs, and layered orchestration feels earned rather than ornamental.

In an era where many projects blur the lines between synthetic and human input, "Artifex" stands out as an album crafted with care, spirit, and a clear creative identity. It values storytelling, structure, and musicianship. Without needing to lean on past formulas or popular trends, it delivers a complete and satisfying experience that rewards attention and patience.

Score: 8.2