Black Sabbitch started in 2012 in Los Angeles when
drummer Angie Scarpa brought together a
group of musicians who already had strong reputations in the rock and metal
underground. Emily Burton from Fireball Ministry joined on guitar, Melanie Makaiwi from Penny
Dreadfuls and Scarling took over
bass, and Alice Austin from Zola Turn completed the band on vocals. From the
start they weren’t content with being a typical tribute act. Their shows won
over crowds because they brought serious energy and respect for the older
material without turning it into a museum piece.
Over the
years they landed festival slots that most original bands dream of. Ozzfiesta at the invitation of The Osbournes, Wacken
Open Air in front of 80,000 people, Cal Jam
with Foo Fighters, Psycho
Las Vegas, The Maryland Doom Fest, The Kiss Kruise thanks to Paul
Stanley, plus collaborations with artists like Nick
Zinner and Peaches. Publications from
LA Weekly to Times Union have praised their live presence, calling it
spellbinding and undeniable.
The
performance comes through with solid force. The band digs into that familiar
heavy groove with steady control, and the audience response adds an extra spark
that lifts the whole recording. Alice Austin
sings with power and character, bringing a sharp edge to every track. Emily Burton delivers guitar work that gives the
classic riffs plenty of fire. Melanie Makaiwi’s
bass has that familiar low-end rumble with gravity and attitude. Angie Scarpa hits with power and steady control,
exactly what Sabbath’s style demands.
The track
selection brings an interesting mix. “Wheels Of Confusion, The Straightener”
opens with raw force, a reminder of how dramatic these long-form Sabbath songs can be onstage. “A National Acrobat”
is a standout choice, a deep cut delivered with great energy. “The Wizard”
offers a looser swing thanks to the signature harmonica lines, and the band
keeps it lively. “A Hard Road” and “Lord Of This World” come with thick groove
and an atmosphere that suits the group’s strengths. The final run, “Hole In The
Sky”, “Children Of The Grave”, and “Into The Void”, brings the album to a
satisfying close with plenty of weight and drive.
“Unrest In
The West” gives the listener a strong live experience and works well as a
document of what Black Sabbitch do best. Tight
performances, a lively crowd, and a deep respect for classic heavy metal.
Score: 7.0
Black
Sabbitch links:
Website⎪Facebook⎪Instagram⎪Youtube
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Music links:


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