Dream
Evil is a Swedish
heavy metal band formed in 1999 by producer/guitarist Fredrik Nordström,
known for his work with bands such as In Flames, Dimmu Borgir,
and At The Gates. Teaming up with vocalist Niklas Isfeldt,
drummer Snowy Shaw, bassist Peter Stålfors, and guitarist Gus
G., the band released its debut album, “Dragonslayer,” in 2002. The band
quickly became associated with the European power and traditional heavy metal
resurgence, known for their straightforward, anthemic style rooted in the
classic metal traditions of Judas Priest, Accept, and Dio.
Over the years, line-up changes have occurred, but the core vision has remained
centered around melodic hooks, mid-tempo heavy riffs, and lyrics centered on
metal themes, fantasy, and perseverance.
"Thunder
In The Night" is a short collection of four songs that continue the sound
developed on Dream Evil’s 2023 album “Metal Gods”. These tracks were
recorded during those sessions and now receive their own release. The EP’s tone
is consistent with what the band has been delivering since their early 2000s
debut: straightforward heavy metal that draws on familiar genre tropes with
energy and precision.
The
production, handled by Fredrik Nordström at Studio Fredman,
carries a tight and balanced sound. The guitars are prominent, the rhythm
section is sharp, and the vocals are delivered with clarity and force. Guest
appearances bring a touch of character to two of the tracks—Andy LaRocque
contributes a solo to the title track, while Pontus Norgren (HammerFall)
brings his own guitar flavor to "Fight For Glory." These
contributions are integrated without altering the overall identity of the EP.
"Thunder
In The Night" doesn’t aim to redefine Dream Evil or their sound.
Rather, it adds a few more songs to the band’s catalog that are in line with
what fans of traditional heavy metal would expect. The songs are tight,
energetic, and driven by rhythm and melody, without drifting into either
extreme of technicality or simplification.
The EP artwork by Seth Siro Anton reflects the band’s aesthetic—bold imagery that matches the dramatic, classic heavy metal atmosphere of the music. There is a sense of completeness in these four tracks. Even though they were initially left off “Metal Gods”, they don’t feel underdeveloped or stitched together. Instead, they serve as a thematic and musical extension, holding their own as a compact and accessible release.
Score: 7.5
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